- \n
- Paid social ads \u2014 short runtime favors tight cutting and bold animated callouts.<\/li>\n
- YouTube and webinars \u2014 longer form needs both narrative edits and selective motion for clarity.<\/li>\n
- Corporate updates and product clips \u2014 brand visuals and signposting matter most.<\/li>\n<\/ul>\n
\n
\n Outcome<\/th>\n Editing-Focused<\/th>\n Motion-Forward<\/th>\n<\/tr>\n \n Pacing & retention<\/td>\n Higher due to tighter cuts and clear audio<\/td>\n Moderate if motion distracts from flow<\/td>\n<\/tr>\n \n Clarity of benefits<\/td>\n Good when narrative explains use cases<\/td>\n Strong when visuals highlight key features<\/td>\n<\/tr>\n \n Turnaround & budget<\/td>\n Depends on footage quality and review cycles<\/td>\n Depends on design complexity and approvals<\/td>\n<\/tr>\n<\/table>\n Motion Graphics vs Video Editing: the real difference in plain terms<\/h2>\n
One craft sculpts time from captured material; the other sculpts visuals from scratch. We explain what each does, with clear examples so you can pick the right path for your project.<\/p>\n
Video editing as narrative-building from raw footage<\/h3>\n
Video editing turns hours of raw footage into a finished story. Editors trim, reorder, sync audio, and polish so the narrative flows and viewers follow easily.<\/p>\n
Good editing decides what stays and what goes. That choice creates pacing, emotion, and clarity across the full runtime.<\/p>\n
Motion graphics as animated design elements that deliver a message<\/h3>\n
Motion graphics design animated elements\u2014moving text, icons, and logos\u2014that can sit on top of edited footage or stand alone. These elements clarify complex points fast.<\/p>\n
Designers build keyframes, typography, and layouts to label ideas and reinforce branding. Animation often delivers the message in a single view.<\/p>\n
How each discipline supports storytelling in a different way<\/h3>\n
Editing creates the emotional and logical arc over time. Animated design clarifies, labels, and amplifies key ideas at the moment of highest impact.<\/p>\n
- \n
- Interview edits rely on timing to preserve meaning and trust.<\/li>\n
- Product explainers rely on animated callouts and icons to land benefits quickly.<\/li>\n<\/ul>\n
\n
![\"A](\"https:\/\/motionmediasolutions.com\/faqs\/wp-content\/uploads\/2026\/01\/A-vibrant-studio-setting-showcasing-a-split-screen-comparison-of-motion-graphics-and-video-1024x585.jpeg\" "\\"A")
\n<\/p>\n\n
\n Focus<\/th>\n Primary strength<\/th>\n Typical use<\/th>\n<\/tr>\n \n Video editing<\/td>\n Pacing and narrative<\/td>\n Interviews, vlogs, long-form story<\/td>\n<\/tr>\n \n Motion graphics<\/td>\n Clarity and branding<\/td>\n Explainers, callouts, title sequences<\/td>\n<\/tr>\n \n Hybrid<\/td>\n Best of both<\/td>\n Product demos, marketing campaigns<\/td>\n<\/tr>\n<\/table>\n What video editing actually includes in post-production<\/h2>\n
The real work happens after shoot day, when we shape clips into a coherent flow. Our process turns raw footage into a polished piece that serves the story and the brand.<\/p>\n
We follow a clear editing workflow: ingest footage, organize clips, build a rough cut, refine pacing, and lock picture before heavy polish. This order keeps the story structure correct before adding polish.<\/p>\n
Cutting and trimming set rhythm. We decide trim length, reaction shots, and beat timing to guide attention. Those pacing choices make the difference between a drag and a compelling watch.<\/p>\n
Audio is central. We sync dialogue, balance music against speech, clean noise, and add sound design so the story feels intentional and real.<\/p>\n
Color work includes correction and grading. First we normalize exposure and white balance for consistency. Then we apply a creative look that matches the brand and the piece\u2019s purpose.<\/p>\n
Stabilization, basic transitions, and subtle effects solve problems\u2014never distract. Most cuts remain invisible; transitions are used only to clarify time shifts or emphasize moments.<\/p>\n
\n
\n
\n Core Task<\/th>\n Purpose<\/th>\n When to Use<\/th>\n<\/tr>\n \n Cutting & arranging clips<\/td>\n Establish pacing and narrative<\/td>\n Always; first stage of the process<\/td>\n<\/tr>\n \n Audio mixing & music<\/td>\n Clarity and emotional impact<\/td>\n When dialogue and music coexist<\/td>\n<\/tr>\n \n Color correction & grading<\/td>\n Visual consistency and brand look<\/td>\n Before final export<\/td>\n<\/tr>\n \n Stabilization & subtle effects<\/td>\n Fix issues without distracting<\/td>\n Use sparingly on shaky footage<\/td>\n<\/tr>\n<\/table>\n What motion graphics really covers beyond \u201ccool effects\u201d<\/h2>\n
Animated design creates a library of visual tools that keep messages clear and consistent. We focus on deliverables clients actually use, not one-off flourishes. These assets speed production and reinforce brand identity across runs of content.<\/p>\n
\n
![\"A](\"https:\/\/motionmediasolutions.com\/faqs\/wp-content\/uploads\/2026\/01\/A-vibrant-and-dynamic-scene-illustrating-the-concept-of-motion-graphics-in-a-creative-1024x585.jpeg\" "\\"A")
\n<\/p>\nCommon deliverables we build<\/h3>\n
- \n
- Animated text systems and title templates that ensure readable on-screen text.<\/li>\n
- Lower thirds, logo stings, and icon sets for consistent brand signposting.<\/li>\n
- Reusable graphic packages that make updates fast and keep visuals coherent.<\/li>\n<\/ul>\n
Explainers and infographics<\/h3>\n
Infographics and short explainer sequences turn complex ideas into clear visuals. We map data into simple icons, animated charts, and staged text so viewers grasp the point in seconds.<\/p>\n
2D vs 3D in real work<\/h3>\n
2D animation usually wins for fast, clean UI-style explainers. It\u2019s lighter and faster to revise. 3D adds depth for product visualization or cinematic spots when timelines and budgets allow.<\/p>\n
\n
\n Type<\/th>\n Strength<\/th>\n When to Use<\/th>\n<\/tr>\n \n 2D<\/td>\n Speed, clarity<\/td>\n Explainers, UI demos<\/td>\n<\/tr>\n \n 3D<\/td>\n Depth, realism<\/td>\n Product shots, cinematic ads<\/td>\n<\/tr>\n \n Reusable packages<\/td>\n Consistency<\/td>\n Series and campaigns<\/td>\n<\/tr>\n<\/table>\n Design fundamentals that matter<\/h3>\n
Typography, composition, spacing, and color decide whether animations feel premium or sloppy. We set safe margins, contrast ratios, and hierarchy so text supports the message instead of competing with it.<\/p>\n
Work often lives in After Effects, with optional 3D in Cinema 4D or Blender. Above all, we treat animated assets as designed communication: every element guides attention, explains, or reinforces the brand.<\/p>\n
The workflow difference: designing from scratch vs shaping existing footage<\/h2>\n
Workflows diverge when one team creates every visual from scratch and another shapes what was captured on set. We outline how each path runs and why that matters for planning projects and timelines.<\/p>\n
How designers build scenes without live-action<\/h3>\n
Design teams start with a script or outline, then make style frames and asset libraries. Backgrounds, iconography, and text treatments are layered like digital set pieces.<\/p>\n
Animation and compositing bring those layers to life. This process means we can deliver clear content even when no raw footage exists.<\/p>\n
How editors shape filmed material into a narrative<\/h3>\n
Editors begin by reviewing footage, logging selects, and assembling a rough cut. We refine timing, fix continuity, and balance audio to craft the story.<\/p>\n
Coverage and audio quality limit or expand our choices. When footage is weak, we lean on graphic assets to fill gaps.<\/p>\n
- \n
- Motion design needs early sign-off on style and layout.<\/li>\n
- We ask for story and pacing approval before heavy polish in editing.<\/li>\n
- Hybrid projects keep a shared style guide so pacing and look stay unified.<\/li>\n<\/ul>\n
\n
\n Step<\/th>\n Design-first<\/th>\n Footage-first<\/th>\n<\/tr>\n \n Start<\/td>\n Script \u2192 style frame<\/td>\n Ingest \u2192 selects<\/td>\n<\/tr>\n \n Core work<\/td>\n Asset creation & animate<\/td>\n Assembly & refine<\/td>\n<\/tr>\n \n Approval<\/td>\n Style early<\/td>\n Structure & pacing<\/td>\n<\/tr>\n<\/table>\n Tools we use most: Adobe Premiere Pro vs After Effects<\/h2>\n
Choosing the right software defines how fast we finish and how clean the final cut looks.<\/p>\n
We use premiere pro as our timeline hub. In adobe premiere pro we trim and arrange clips, sync audio, apply basic effects, and export masters. That keeps the rough cut to final export in one environment when work is clip-driven.<\/p>\n
For layer-based animation and advanced compositing we move assets into adobe effects. There we build keyframes, masks, motion paths, and 3D layers that go beyond basic software filters.<\/p>\n
\n
![\"A](\"https:\/\/motionmediasolutions.com\/faqs\/wp-content\/uploads\/2026\/01\/A-detailed-workspace-showcasing-Adobe-Premiere-Pro-in-action-with-a-sleek-computer-monitor-1024x585.jpeg\" "\\"A")
\n<\/p>\nHow we roundtrip between apps<\/h3>\n
We lock a cut in premiere pro, send specific shots to adobe effects, then return linked comps or rendered files based on performance needs. This roundtrip keeps timelines light and revisions predictable.<\/p>\n
- \n
- Decide by task: timeline work stays in premiere; layer work goes to adobe effects.<\/li>\n
- Use shared naming, versioning, and template-driven graphics for consistency.<\/li>\n
- Pick the right software to avoid render bottlenecks and speed reviews.<\/li>\n<\/ul>\n
\n
\n Task<\/th>\n Primary tool<\/th>\n Why<\/th>\n<\/tr>\n \n Trim & arrange clips<\/td>\n adobe premiere pro<\/td>\n Fast timeline work and sequence management<\/td>\n<\/tr>\n \n Keyframe animation & compositing<\/td>\n adobe effects<\/td>\n Layer control, masks, motion paths, and VFX<\/td>\n<\/tr>\n \n Deliver & export<\/td>\n adobe premiere<\/td>\n Mastering, codecs, and final output<\/td>\n<\/tr>\n<\/table>\n Where motion graphics and video editing overlap on real projects<\/h2>\n
Real-world projects often mix timeline assembly with animated assets to solve clarity and pacing at once.<\/p>\n
We see overlap most in title design and brand systems. Titles, lower thirds, and logo animation form a repeatable kit that editors drop into sequences. That reduces review rounds and keeps brand visuals consistent across runs of videos.<\/p>\n
Custom transitions and animated elements are another touchpoint. Editors rely on these tools to mark time shifts, emphasize cuts, or add platform-native energy without breaking flow.<\/p>\n
Explainer videos that need both hands<\/h3>\n
Typical explainers pair short filmed clips or screen captures with animated infographics. The edit supplies context and rhythm. Animation visualizes steps, data, or product value so viewers grasp the idea in seconds.<\/p>\n
- \n
- We align animations to editorial beats so callouts land when they matter.<\/li>\n
- We standardize fonts, motion behavior, and safe zones so titles stay readable on mobile.<\/li>\n
- We set a shared file system so editors and designers update assets quickly.<\/li>\n<\/ul>\n
\n
\n
\n Overlap Area<\/th>\n What we deliver<\/th>\n Outcome<\/th>\n<\/tr>\n \n Title systems<\/td>\n Consistent fonts, timing rules, reusable templates<\/td>\n Faster production, stronger brand recall<\/td>\n<\/tr>\n \n Custom transitions<\/td>\n Platform-aware in\/out moves, segment markers<\/td>\n Clearer structure, smooth pacing<\/td>\n<\/tr>\n \n Explainer format<\/td>\n Cut footage + animated callouts and charts<\/td>\n Faster comprehension, higher retention<\/td>\n<\/tr>\n<\/table>\n Skills and roles: motion designer vs video editor (and why teams blend)<\/h2>\n
We define skills so teams know who to call for pacing, clarity, and branded animation.<\/p>\n
Our work splits into two core roles. One role focuses on narrative, timing, and technical delivery. The other crafts animated systems, typography, and visual problem solving.<\/p>\n
\n
Core skills editors lean on: timing, detail, codecs, and storytelling<\/h3>\n
Editors need strong storytelling sense and tight timing to hold attention. They also manage formats, codecs, exports, and quality control so final files perform across platforms.<\/p>\n
Color consistency, sound mixing, and an eye for small continuity fixes keep the story clear and the watch time high.<\/p>\n
Core skills motion artists lean on: animation principles and problem-solving<\/h3>\n
Motion artists rely on typography, composition, easing, and keyframing to make ideas readable. They use software like After Effects or Blender to solve layout and timing challenges.<\/p>\n
Creativity and practical problem solving help them deliver reusable assets that boost brand clarity across projects.<\/p>\n
How one person can cover both roles on smaller projects<\/h3>\n
For short social posts and basic branded titles, a hybrid creator covers both editing and animated work. That reduces handoffs and speeds delivery.<\/p>\n
We recommend specialists when explainers, heavy VFX, or campaign volume demand scale. Early style frames, locked scripts, and aligned audio beats prevent rework and keep budgets efficient.<\/p>\n
- \n
- Editors protect clarity and retention through timing and technical rigor.<\/li>\n
- Motion designers protect comprehension and brand perception with clear animation.<\/li>\n
- Blended teams win when we agree on style and timing before heavy work begins.<\/li>\n<\/ul>\n
\n
\n Role<\/th>\n Primary skills<\/th>\n When to use<\/th>\n<\/tr>\n \n Editor<\/td>\n Storytelling, codecs, color, sound<\/td>\n Long form, interviews, narrative projects<\/td>\n<\/tr>\n \n Motion designer<\/td>\n Typography, easing, keyframing, software<\/td>\n Explainers, branded packages, infographics<\/td>\n<\/tr>\n \n Hybrid<\/td>\n Basic editing + simple animated titles<\/td>\n Short social content, tight budgets<\/td>\n<\/tr>\n<\/table>\n How we decide what you need for your next project<\/h2>\n
We base choices on three simple inputs: what assets you already have, the message you must deliver, and the platforms you target. This quick map guides whether we lean on narrative assembly, designed animation, or a hybrid plan that blends both approaches.<\/p>\n
If you have raw footage and a narrative to craft<\/h3>\n
When footage and interviews exist, our workflow is editing-first. We organize clips, shape pacing, and lock the story before adding visual polish. That keeps reviews focused on structure and prevents wasted design rounds.<\/p>\n
If you need animated graphics, visual explanations, or brand polish<\/h3>\n
When the goal is to explain concepts, show workflows, or highlight product features without much live action, a motion-first approach wins. We build icons, title systems, and animated charts that make complex ideas clear in seconds.<\/p>\n
If you need both: the hybrid plan for maximum impact<\/h3>\n
For many marketing projects we combine both crafts. We edit for structure, then add targeted animated elements\u2014callouts, product highlights, and branded titles\u2014so the message lands without overload.<\/p>\n
- \n
- Discovery: tell us your assets, platform constraints, and core message.<\/li>\n
- Editing-first: choose this when footage must tell the story.<\/li>\n
- Motion-first: choose this when concepts need visual explanation.<\/li>\n
- Hybrid: choose this for explainers, product films, and campaign assets.<\/li>\n<\/ul>\n
\n
\n Scenario<\/th>\n Primary focus<\/th>\n Best for<\/th>\n<\/tr>\n \n Editing-first<\/td>\n Structure, pacing, sound<\/td>\n Interviews, testimonials, event cuts<\/td>\n<\/tr>\n \n Motion-first<\/td>\n Designed visuals, animated explainers<\/td>\n Product features, data stories, brand explainers<\/td>\n<\/tr>\n \n Hybrid<\/td>\n Story + targeted animation<\/td>\n Explainers, social ads, product demos<\/td>\n<\/tr>\n<\/table>\n To scope correctly we ask for brand guidelines, reference examples, a draft script, and must-include points. With those inputs we pick the right tools and techniques to meet your marketing and content goals efficiently.<\/p>\n
The takeaway: choosing motion, editing, or both for a smarter 2025 workflow<\/h2>\n
Pick the approach that fixes the single biggest problem in your last deliverable.<\/p>\n
We sum it up: video editing organizes raw clips into a clear story, while motion graphics animate design to clarify and emphasize a message. Most strong marketing videos blend both so pacing and clarity work together.<\/p>\n
Use this quick checklist: if clarity is weak, add graphics and motion; if pacing or structure lags, prioritize editing; if brand fit is the issue, build a reusable animated system.<\/p>\n
Fewer revisions, clearer approvals, and a repeatable package make future projects faster. Don\u2019t forget sound\u2014mix and music balance shape perceived quality as much as visuals.<\/p>\n
We keep one hand on story and one hand on visual communication so every deliverable feels intentional. Audit one recent video now: was the gap structure or clarity? Plan the next project from that answer.<\/p>\n
\n FAQ<\/h2>\n
\nWhat is the core difference between motion graphics and video editing?<\/h3>\n
\n\nWe see editing as the process of shaping raw footage into a coherent story \u2014 cutting, pacing, syncing audio, and color work. Motion graphics focuses on animated design elements like text, icons, and illustrations that communicate ideas or reinforce branding. Each serves storytelling but with different tools and workflows.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
\nWhy does this comparison matter for modern content and marketing?<\/h3>\n
\n\nChoosing the right approach affects clarity, engagement, and production cost. For product explainers, animated visuals can simplify complex ideas. For interviews or documentaries, careful editing makes the narrative believable. We pick methods that match audience expectations and campaign goals.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
\nWhen does editing act as \u201cthe glue\u201d and animation as \u201cthe spice\u201d?<\/h3>\n
\n\nEditing is the glue whenever we need to assemble sequences, set rhythm, and preserve authenticity from footage. Animation is the spice when we need emphasis, brand identity, or simplified explanations. Combining both often yields stronger results than using one alone.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
\nWhat project types clearly show the difference fast?<\/h3>\n
\n\nSocial ads, explainer videos, and product demos often demand animated graphics. Corporate narratives, event recaps, and documentaries rely on traditional editing. Hybrid projects like product-launch films typically use both for maximum impact.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
\nWhat tasks does video editing include in post-production?<\/h3>\n
\n\nOur editing work covers cutting and arranging clips, audio syncing, dialogue editing, music integration, sound design, color correction and grading, stabilization, and applying subtle effects or transitions to support the story.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
\nWhat does motion graphics cover beyond \u201ccool effects\u201d?<\/h3>\n
\n\nWe create animated text and lower thirds, brand-safe logo reveals, iconography, infographics, and full explainer animations. We also handle 2D and basic 3D motion, animation timing, and design fundamentals like typography and composition to communicate clearly.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
\nHow do designers build scenes without live-action footage?<\/h3>\n
\n\nMotion teams draft storyboards and style frames, develop vector assets in Illustrator, animate in After Effects, and use keyframes, masks, and motion paths to construct scenes that carry narrative and brand tone without filmed material.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
\nHow do editors transform footage into a cohesive story after filming?<\/h3>\n
\n\nEditors review selects, create a rough assembly, refine pacing, match audio, and apply color and sound treatments. We focus on continuity, narrative arcs, and emotional beats so the footage communicates the intended message effectively.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
\nWhich tools do we use most: Premiere Pro or After Effects?<\/h3>\n
\n\nWe use Adobe Premiere Pro as our primary non-linear editor for timeline assembly and final exports. After Effects handles keyframing, masks, compositing, and visual effects. We often roundtrip assets between the two for complex sequences.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
\nWhen do we roundtrip assets between Premiere and After Effects?<\/h3>\n
\n\nWe roundtrip when a sequence needs animated graphics, advanced compositing, or complex VFX that Premiere can\u2019t handle natively. Dynamic Link keeps edits live, speeding up iterations between timeline editing and motion work.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
\nWhere do editing and animated design overlap on projects?<\/h3>\n
\n\nThey overlap in title design, branded stings, custom transitions, and explainer content. Editors rely on animated elements for clarity and polish, while motion artists build assets that integrate on the editorial timeline.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
\nWhat core skills do video editors bring to a team?<\/h3>\n
\n\nEditors bring timing, narrative structure, technical codec knowledge, pacing, and a strong ear for music and sound. Those skills ensure footage becomes a clear, emotionally effective story.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
\nWhat core skills do motion artists bring to a team?<\/h3>\n
\n\nMotion artists bring animation principles, composition, typography, problem-solving for visual metaphors, and software fluency in After Effects and Cinema 4D for projects requiring animated explanations or brand identity work.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
\nCan one person cover both roles on smaller projects?<\/h3>\n
\n\nYes. Many creators combine editing and animation skills for small projects or rapid content cycles. We recommend a hybrid approach when budgets are tight and timelines demand versatility.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
\nHow do we decide what you need for your next project?<\/h3>\n
\n\nWe evaluate your assets, goals, and audience. If you have footage and a narrative, we prioritize editorial craft. If you need visual explanations or brand polish, we recommend animated elements. If both matter, we propose a hybrid plan that integrates editing and animation for the best return.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
\nWhat are common timelines and budgets for each approach?<\/h3>\n
\n\nPure editorial projects can move quickly if footage is clean \u2014 often days to a few weeks. Animation and motion design typically require more planning and production time, from a week for simple assets to several months for complex explainer videos. Budget scales accordingly based on complexity and deliverables.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
\nHow do we ensure brand consistency between animated elements and edited footage?<\/h3>\n
\n\nWe use brand guidelines, shared color palettes, consistent typography, and approved logo treatments. We also create reusable templates and style guides so every video aligns with your visual identity.<\/p>\n<\/div>\n<\/div>\n<\/div>\n
\nWhich formats and deliverables should we expect for web and social platforms?<\/h3>\n
\n\nWe deliver platform-ready files: horizontal for YouTube and websites, square and vertical for Instagram and TikTok, plus adaptive bitrate copies for streaming. We also supply source project files and asset packs when requested for future edits.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"
We start with a clear, practical split: video editing assembles raw footage into a smooth story, while motion graphics build animated elements like moving text, shapes, icons, and logos. This simple difference helps teams decide what a project truly needs. In plain terms, editing is the glue that times cuts, syncs sound, applies color, and…<\/p>\n","protected":false},"author":1,"featured_media":103,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1],"tags":[9,53,3,8,82,81,54,56,5],"class_list":["post-102","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faqs","tag-animation-techniques","tag-graphic-design","tag-motion-design","tag-motion-graphics","tag-multimedia-production","tag-post-production","tag-video-editing","tag-video-production","tag-visual-effects"],"_links":{"self":[{"href":"https:\/\/motionmediasolutions.com\/faqs\/wp-json\/wp\/v2\/posts\/102","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/motionmediasolutions.com\/faqs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/motionmediasolutions.com\/faqs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/motionmediasolutions.com\/faqs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/motionmediasolutions.com\/faqs\/wp-json\/wp\/v2\/comments?post=102"}],"version-history":[{"count":1,"href":"https:\/\/motionmediasolutions.com\/faqs\/wp-json\/wp\/v2\/posts\/102\/revisions"}],"predecessor-version":[{"id":107,"href":"https:\/\/motionmediasolutions.com\/faqs\/wp-json\/wp\/v2\/posts\/102\/revisions\/107"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/motionmediasolutions.com\/faqs\/wp-json\/wp\/v2\/media\/103"}],"wp:attachment":[{"href":"https:\/\/motionmediasolutions.com\/faqs\/wp-json\/wp\/v2\/media?parent=102"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/motionmediasolutions.com\/faqs\/wp-json\/wp\/v2\/categories?post=102"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/motionmediasolutions.com\/faqs\/wp-json\/wp\/v2\/tags?post=102"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}